Studio Ghibli Question Time : The French Connection

A page from Arzach and the Space Jockey clearly shows its influence on Miyazaki. The desert landscape, blue sky and mode of transport are all clearly related to his work on Nausicä of the Valley of the Wind.

Among the many fascinating questions at my Seed Talks in the West Country was one about the influence of comic art on Studio Ghibli. I’d talked about Takahata’s lifelong passion for French culture and about the many and varied Western influences on Nausicäa of the Valley of the Wind, but there’s a limit to how […]

New Year, New Energy

animeinsider.insta made this birthday image of a younger MIyazaki surrounded by some of the characters from his films. The text congratulates him on his 85th birthday, 5 January 2026.

I hope everyone’s having a really good start to 2026 in spite of the political horrors around us. Even in an unstable world we can keep our creative energy going and get stuck into a project, old or new, while the year is still a notebook with lots of empty pages to play with. I […]

Studio Ghibli Question Time: is there any chance that Ghibli will ever adapt Diana Wynne Jones’ sequels to Howl’s Moving Castle?

The Folio Society edition of Diana Wynne Jones' Ingary novels, known as the Howl's Moving Castle collection. All three books are illustrated by Marie-Alice Harel with cover designs in similar tones of rose, purple and grey. The image shows the first two books of the trilogy stacked on each other, spines with titles facing the viewer, while the third is placed on top of them, slightly open so that front and back covers and spine are all visible.

Well, never say never … but at present it seems unlikely, for three reasons. Firstly, Hayao Miyazaki has spent more than a decade working on two films. The Wind Rises and The Boy and the Heron,  that are deeply personal. They are explorations of his own ideas, inspirations and beliefs, and of events and relationships that […]

JAMS Vol 6 issue 1 Open-access anime journal free to read

A screen showing the opening slide of the post-symposium talk on AI and Studio Ghibli. On the left of the screen is Dr. Rayna Denison, on the right Dr. Zoe Crombie. Photo from JAMS Vol. 6 no. 1.

I’m delighted that the proceedings of the Lancaster symposium on transnational anime are now published as an issue of the Journal of Anime and Manga Studies (JAMS), free to read here. There really is something for everyone here, from papers on the nitty-gritty of motion in anime and music in anime to the rise of […]

Studio Ghibli Question Time: are anime feature films considered superior to anime TV series in Japan?

An image from Satoshi Kon's unfinished 5th feature film 'Dreaming Machine'. A young Japanese woman in a beige formal jacket and black open-necked shirt walks under an archway made of gold tubular metal and flanked by two brightly coloured 50s-style characters. A retro-style white house with red roofs is in the background, under a blue sky with fluffy white clouds. The image is slightly unsettling despite the blue sky and bright colours.

Although asked in the context of Miyazaki’s and Ghibli’s views on the primacy of the feature film, this question covers an issue that’s been debated in the anime business  and anime scholarship for decades. It’s a really interesting question, because some people undeniably consider feature films superior to other forms of moving picture, but when […]

Transgenerationality – the ageing up (and ageing out) of Japan’s animation industry

A poster for the symposium on transnational anime held at Lancaster University on 4 July 2025. White text on a blue background, illustrated by the covers of 'Anime: A History" by Jonathan Clements and "Studio Ghibli: an Industrial History" by Ranya Denison. Includes a barcode for more information.

At the beginning of July I was privileged to speak at a symposium on Transnational Perspectives in Anime. It was held on the Lancaster University campus, co-hosted by Dr. Zoe Crombie and Japan Foundation London; I took part from my desktop. It was a truly fascinating day, sparking new ideas and new insights about the […]

Studio Ghibli Question Time: What’s the significance of Howl’s exchange of hearts with Calcifer?

The boy Howl swallowing Calcifer's heart in the anime Howl's Moving Castle. This happens late at night in a field outside Howl's study, but his face is illuminated by the fire demon's light.

That’s an excellent question, not just because it impacts a key relationship in the film of Howl’s Moving Castle but because it also gives us an example of the contrast between relationships with an equal power balance and relationships where all power is given to one side. I’m not going to talk about this in terms […]

Studio Ghibli Question Time: what’s in a haircut?

Sheeta from Castle in the Sky, trapped at gunpoint and with her braids literally shot off by her long lost cousin. A half length portrait against a background of thick, greenish-black tree roots. Sheeta weara a high-necked lilac coloured blouse with elbow-length puffed sleeves, a red belt and a red hairband in her dark brown hair.

The Ghibli fans who come to my Seed Talks ask some really interesting questions. So I’ve started recalling as many of them as I can at the end of each session, and I plan to revisit my answers here in a series of news posts, with a bit more detail than I can give in […]

Isao Takahata: FINALLY a book in English

Cover of the book The Many Worlds of Isao Takahata. A warm brown background has a banner image about half an inch below the top of the cover. The image from The Tale of the Princess Kaguya shows Kaguya, a young Japanese woman in an Edo-era pink kimono, laughing as she catches falling cherry blossom petals. The title and author information is below in the same soft pink as her kimono.

The great Isao Takahata, without whom the Hayao Miyazaki we know would not exist, was and remains an influential figure in Japanese animation. Finally, a book in English explores his work and gives a clear picture of how and why he is so highly regarded by directors and animators. Editors Rayna Denison, David Desser and […]