Studio Ghibli Question Time: are anime feature films considered superior to anime TV series in Japan?

An image from Satoshi Kon's unfinished 5th feature film 'Dreaming Machine'. A young Japanese woman in a beige formal jacket and black open-necked shirt walks under an archway made of gold tubular metal and flanked by two brightly coloured 50s-style characters. A retro-style white house with red roofs is in the background, under a blue sky with fluffy white clouds. The image is slightly unsettling despite the blue sky and bright colours.

Although asked in the context of Miyazaki’s and Ghibli’s views on the primacy of the feature film, this question covers an issue that’s been debated in the anime business  and anime scholarship for decades. It’s a really interesting question, because …

Transgenerationality – the ageing up (and ageing out) of Japan’s animation industry

A poster for the symposium on transnational anime held at Lancaster University on 4 July 2025. White text on a blue background, illustrated by the covers of 'Anime: A History" by Jonathan Clements and "Studio Ghibli: an Industrial History" by Ranya Denison. Includes a barcode for more information.

At the beginning of July I was privileged to speak at a symposium on Transnational Perspectives in Anime. It was held on the Lancaster University campus, co-hosted by Dr. Zoe Crombie and Japan Foundation London; I took part from my …